The Mahabharat is an important epic of Hinduism that narrates the great historical events of the Dwaparyug. The epic Mahabharat, written by Shri Ved Vyas Ji, provides detailed accounts of the Kurukshetra war that was fought between two princely cousins (the Kauravas and the Pandavas) and the aftermath of the war. Everyone knows what happened during the war, however, some key questions about the Mahabharat remain largely unknown to people, namely:
Though the Mahabharat is one of the most revered epics of Hinduism, it raises questions that go far beyond the battlefield of Kurukshetra. It is important to note here that Shri Ved Vyas Ji wrote the epic years after the war had ended. He was granted divine vision, through which he could see and hear all that transpired in the Mahabharat. Therefore, his narration is post-war. But no one truly knows where the Mahabharat script began because it was no ordinary war. The epic unfolded like a grand movie staged on earth. Every event, every character and every outcome was meticulously directed to serve a sinister plan, where humans were mere puppets and not the authors of their fate.
This article seeks to uncover hidden truths about the Mahabharat buried under the pages of history. What you are about to read will leave you astonished, revealing how such valuable and profound knowledge has been kept hidden from us, keeping us distant from reality.
The revelations include:
Note: References for these revelations have been taken from the Mahabharat text; the auspicious sermons and the sacred books written by Jagatguru Tatvdarshi Sant Rampal Ji Maharaj, such as:
Before we bring you face-to-face with the hidden facts of the Mahabharat from Sukshma Ved, let us first introduce the mastermind behind this script accompanied with a brief background about the multiple universes and their controllers.
The mastermind who scripted the drama of Mahabharat is the devil Brahm Kaal. Kaal is the owner of 21 universes and in this mortal world, across cultures, he is also known as Satan, Kshar Purush, Jyoti Niranjan, Alakh Niranjan and Sadashiva (evidence: Rigved Mandal 10 Sukt 90 Mantra 1 and 5; Atharvaved Kaand 4 Anuvaak 1 Mantra 3-4).
He is the rebellious soul who turned against the Supreme Creator of all universes, God Kabir. The identity of our Supreme Father has been documented across scriptures of various religions as Satpurush, Param Akshar Brahm, Kavir Dev, Kabir, Param Purush, Purna Brahm and Allah Kabir (Khabiran), to name a few.
Brahm Kaal’s 21 universes are a temporary realm, nothing more than a prison for souls. Within this realm, countless souls are trapped in the endless cycle of 84 lakhs life-forms and continuous rebirth. Since its very inception, Kaal the demon has scripted every single activity that would unfold within his territory.
Readers must be aware of the following facts about the ‘Butcher’ Brahm Kaal that have been openly stated in the Holy Gita, but humanity never had the spiritual insight to gauge their real meanings due to the lack of the refuge of a Tatvdarshi Sant:
Having uncovered now that the director and scriptwriter of this cosmic drama is Kaal, let us proceed further to in-depth about the Mahabharat movie that he created, and discover why he engineered such a devastating massacre.
To understand the Mahabharata completely, it is important to begin at the very root of all chaos in this world - Kaal. Compelling evidence from the following scriptures attest to the truth of his nature, origin and his modus operandi:
All the above sources form incredible evidence that provides a deep understanding of Brahm Kaal’s family tree. He is the father of Brahma, Vishnu and Shiva. His wife is Goddess Durga, also known as Maya, Ashtangi, Prakriti Devi and Tridev Janani.
The revelation of Kaal’s family tree is critical because in Gita 10:2, he reveals, ‘Even gods do not know my origin (birth) because all of these have originated from me’. This means the Tridev, Brahma, Vishnu and Mahesh, are unaware of their own father’s identity. Therefore, at one point, they even attempted to search for him.
During the churning of the cosmic ocean, the four Vedas emerged. Kaal Brahm had earlier hidden these scriptures. These were received by his eldest son, Shri Brahma Ji. When Brahma Ji read the Vedas, he discovered that the Supreme God described within these holy scriptures was someone other than his mother. Brahma Ji then questioned his mother, Goddess Durga. After first, she denied the truth, claiming herself to be supreme. However, when Brahma Ji persisted, Durga admitted that his father remained invisible and unmanifest through his ‘Yogmaya’.
Determined to meet his father, Brahma Ji pledged to perform austerity until he met his father. Furthermore, he also declared that if he failed, he would never appear in front of his mother Durga again. For four Yugas, he continued his penance, but did not succeed. Brahma Ji did not see his father but, instead, lied to his mother claiming he had seen Kaal. Enraged by this lie, Goddess Durga cursed her son Brahma that he would remain non-worshipable in this world. From that time onwards, Shri Brahma Ji has not been worshipped as a deity, even though people are aware of his identity.
How is this curse related to Mahabharata? The following analysis clarifies the connection.
Brahm Kaal rules by the principle of ‘tit for tat’. Annoyed with Durga for her actions, he cursed her to be born as Draupadi in Dwapar Yug and to have five husbands.
This marked the beginning of the movie ‘Mahabharat’, scripted by Satan Kaal Brahm from its very inception. This truth is revealed in the Sukshma Ved, and is unknown to most people. Even Shri Ved Vyas Ji was unaware of this fact, which is why he did not mention it in his narration of the Mahabharata.
Let us now move ahead to the next episode plotted in this movie.
When Lord Brahma failed in his attempt to search for his father and was cursed, Goddess Durga then instructed her second son, Lord Vishnu, to also go and search for his father. Shri Vishnu Ji descended to the Netherworld (Pataal Lok) in pursuit of his father. There he encountered Sheshnaag, who, angered by Vishnu’s intrusion into his domain, struck him by praying venom upon him. As a result, Vishnu Ji’s complexion turned blue.
Furious, Lord Vishnu then became vindictive and desired revenge. At that moment, Kaal made a celestial announcement, directing Vishnu to return to his mother and narrate the whole incident truthfully. Kaal also foretold Vishnu that he would incarnate as Krishna in Dwaparyug, while Sheshnaag would incarnate as Kalindri, the snake, in the Kalideh river. Kaal instructed Vishnu to take this revenge at that time. Obeying these orders, Vishnu returned to his mother and recounted the whole incident truthfully. Pleased with his honesty, Durga blessed Vishnu to become a worshipable and favoured deity in this world.
Thus, another episode was scripted by Brahm Kaal for the grand Mahabharata drama.
Kunti was another prominent character in the epic Mahabharat. She was a virtuous soul sent from Durga Lok. Sage Durvasa once granted her a divine boon in the form of a mantra. By chanting the mantra, Kunti could invoke any deity and bear his child. This boon played a special role in the birth of the great warriors of the Mahabharata.
Kunti’s husband, King Pandu of Hastinapur, was cursed by Sage Kindama. As a result of this curse, Pandu could not father children, thereby permitting Kunti to invoke deities through the boon she received.
Thus, by divine intervention, the five Pandavas were born:
Note: Karna was also born to Kunti, prior to her marriage, through the divine intervention of Surya Dev, the Sun God.
The soul of Draupadi (another form of Durga) had been in the refuge of Supreme God Kabir Ji in previous human births, performing devotion to Satpurush God Kabir for several lifetimes. Due to the curse of the director of the movie Mahabharat, Brahm Kaal, this pious soul was born in Dwapar Yug as the daughter of King Draupad.
God Kabir is the ocean of happiness and fully understands how Satan Kaal troubles His beloved souls. Therefore, He intervenes in advance to increase the virtues (good karma) of suffering souls, protecting them at the right time. Whenever a sin from Kaal’s scripted drama is set to threaten His devotee, God Kabir protects them in advance by building a protective shield.
On one such occasion, Draupadi went to bathe in the Ganga river with her attendants. There she saw a blind sage standing deep in the water. He was wearing just a loin cloth and waiting for someone to bring him a covering, and yet he hesitated to step out of the river due to the presence of women. After a while, his loin cloth was washed away by the flow of the river when its string broke. Struggling to find it, the blind sage tried searching with his hands, but in vain.
Compassionate and pious Draupadi understood his plight, though she did not realise the sage was none other than Almighty God Kabir in disguise, performing this spectacle to prepare her virtues for saving her honour in the upcoming scene of the Mahabharata movie.
Princess Draupadi, moved by humility, tore the expensive saree she was wearing that day, and sent that piece of cloth (about 8-9 inches long) towards the blind sage. However, the sage couldn’t catch it. Draupadi repeated this process about eight to nine times with no success. Caught at crossroads, she realised that her saree was running out and in case she alerted the sage, he might turn in the wrong direction out of shame and drown accidentally.
Therefore, Draupadi picked up a long stick and once again tore a piece of her saree. Using the stick she successfully navigated the cloth close to the sage. The sage picked it up, covered himself, came out of the water, and blessed her, saying, ‘Daughter! Today you have saved my honour. God will save your honour. May God give you too much.
It is said:
Saadh vachan palte nahi, palat jave Brahamand||
This spectacle was Param Akshar Brahm Kabir Saheb’s divine act for His beloved soul Draupadi. Moving ahead, you will also uncover the reason behind this divine act.
(All references for this exposition have been taken from the concise Mahabharat, Part One. Edited by Jaidayal Goenka, published by Gita Press, Gorakhpur. Pages 543-545.)
Lord Vishnu, who embodies Satogun, is pleasant and gentle in nature. An episode mentioned in the Puranas illustrates these qualities of Vishnu Ji. Once Sage Bhrigu, the mind-born son (manas putra) of Lord Brahma, kicked Vishnu Ji on the chest while he was seated with his consort Goddess Laxmi. Instead of retaliating, Lord Vishnu humbly replied, ‘Oh, Rishiwar! I hope your soft foot was not hurt striking my hard, stone-like chest’.
Similarly, when Lord Vishnu incarnated as Shri Krishna in Dwapar Yug, as planned by his father Kaal, he displayed the same humility and pleasantness. His presence not only drew men and women, but also gopis and even cows, who approached him for his love.
Lord Krishna never supported the idea of a war between the Kauravas and Pandavas. He went thrice as a messenger of peace to avert the war, declaring that he would not wield any weapon in the battle. He laid down the condition that on one side would be his army; on the other side, he himself. Shri Krishna also urged Duryodhan, ‘Give five villages to the Pandavas and avoid bloodshed. We ask for nothing more’. But the arrogant and vindictive Duryodhan rejected this appeal, saying, ‘I will not give even a needle-point of land to the Pandavas’, and misbehaved with Shri Krishna in the royal assembly.
Lord Vishnu possesses 16 kalas (divine arts). At that moment, Krishna displayed his huge cosmic form (virat roop) - the four-armed form. The vision was so overwhelming that the warriors present hid in fear. Only a select few, namely Dronacharya, Bhishma Pitamah, Vidura, Sanjaya and a few sages, were granted the divine sight to witness it. Soon after, Lord Krishna withdrew his vision and departed from the assembly.
This episode, scripted by Kaal, plays a significant role in the movie Mahabharat. It sets the stage for understanding the difference between the first virat form revealed in the assembly of Kauravas and second one, later displayed on the battlefield of Kurukshetra. Each form exposes the deceptive side of Satan Kaal's personality and his plot, as will be discussed further in the article.
The following points will help reveal the significance of Draupadi’s role in the Mahabharat war:
In the respectful bond between a brother-in-law and sister-in-law, humour and light teasing are not unusual and are usually not taken to heart. However, one such incident between Draupadi and Duryodhan sowed seeds of bitterness.
When Duryodhan once visited the Pandavas’ crystal palace (Sheesh Mahal), he became confused by its glass architecture, collided with a glass door in the labyrinth and fell. Seeing this, Draupadi mocked him, saying, 'The son of a blind man is also blind'. Duryodhan felt insulted and vowed to avenge this humiliation by Draupadi. This incident also became one of the key sparks for the Mahabharat war.
The game of dice (gambling) between Kauravas and Pandavas is a well-known episode in which Yudhishthir lost his entire Kingdom, his four brothers, himself and finally, Draupadi, their wife. The evil brothers Duryodhan and Dushasan crossed all limits and humiliated the Pandavas, especially Draupadi.
Dushasan dragged Draupadi by her hair from her chamber, and pulled her to the royal assembly. He even attempted to disrobe Draupadi publicly in the presence of elders such as Bhishma Pitamah, Guru Dronacharya, Karna, and uncle Vidura. Shockingly, none of them intervened to stop Duryodhan and Dushasan from doing such a sinful act. Their inner conscience had been corrupted by consuming the evil food of Duryodhan’s palace, which tainted the judgment and moral strength of those so-called great warriors.
Only Vidur, their uncle, opposed the shameful act, but he was insulted by Duryodhan, who slapped him and said, ‘You are the son of a maid’. Vidur left the assembly, while others sat silently like cowards.
This is confirmed in the Sukshma Ved:
Vidura kahe ye bandu thara, eke kul eke pariwara||
Vidur ke mukh par lagya thapeda||
Tu to hai Pandavon ka chera||
Tu to hai bandi ka Jaya, wahan Bhishma, Drona aur Karan muskaya||
When Draupadi noticed no one was willing to protect her, she remembered Shri Krishna. Here comes the crucial role of the Supreme God, who intervenes to protect His beloved souls when in dire need.
The Sukshma Ved reveals:
Bandhe se bandha mile, choote kaun upaye||
kar bandagi nirbandh ki, wo pal mein de chudaye||
Supreme God Kabir had already performed the divine act of a blind sage, as described earlier, and had blessed Draupadi. Just as she had saved His honour, similarly, He would also save her honour. His indication at that time was for this upcoming episode scripted by Kaal to disgrace Draupadi.
Since she was the beloved daughter of God Kabir, He fulfilled His promise. He appeared in the form of Shri Krishna and extended her saree infinitely, in return for the small piece of cloth she had once offered Him.
The Sukshma Ved describes the disrobing attempt by Dushasan as follows:
Drupad suta ko deenhein leer, jaake anant badaaye cheer||
Dushasan kun Draupadi pakri, meri bhakti sakal mein sikhri||
Jo meri bhakti pachhauri hoyi, hamra naam na levae koyi||
Tan dehi se paasa daari, pahunche sukshm roop Muraari||
Khainchat-khainchat khainch kasisha, sir par baithe hai jagdeesha||
Draupad suta kaen cheer badhaye, sankh asankhon paar na paaye||
Despite Dushasan’s repeated attempts, Draupadi was not disrobed. As the sacred Sukshma Ved says:
Duryodhan aur Dushasan ko Draupadi cheer utare||
Andhe ko kopeen dayee thi vo badh gaye unt apare||
Finally, Dushasan surrendered. Duryodhan and the other Kauravas left the assembly in defeat. This incident further ignited the Kurukshetra war.
Important: All creatures in Brahm Kaal’s realm are filled with vices like arrogance, raga-malice, hatred, jealousy, pride and so on. The episodes described so far prove this fact.
Readers may find it difficult to accept that it was not Shri Krishna but God Kabir Who protected Draupadi. However, the truth has been obscured by spiritually-blind preachers, Brahmans and religious leaders, who have peddled a false story for generations of Krishna being Draupadi’s saviour.
In reality, Supreme God Kabir is the ocean of happiness and never seeks any recognition. He loves all His children equally and simply wants to safeguard their faith in God and devotion.
The Sukshma Veda says:
Lakh chaurasi jeev ku, aur Sahib bhojan det||
Lakh chaurasi pokhta, wo apna naam nahi let||
Thus, Almighty Kabir gave all the credit to Shri Krishna, as the people at that time lacked true spiritual knowledge and did not know the identity of the real Supreme God.
Shri Krishna, as the incarnation of Lord Vishnu and guru of the Pandavas, was mistakenly regarded as the highest God. People of that era considered Brahma, Vishnu and Shiva to be the ultimate deities. But evidence from Sukshma Ved confirms: Kabir is God – the Father of all souls, the Creator of all universes, the Saviour of the world. He is the real Liberator (Bandi Chhor).
Any persisting doubts of readers can be resolved by the speech of Rukmani, Krishna’s wife, acknowledging this truth during a dice game at their residence.
Rukmani kar pakda muskayee, anant kaha moku samjhayee||
After the disrobing incident, Shri Krishna once visited Draupadi. She narrated the whole episode of disrobing by Dushasan and gratefully thanked him for protecting her honour. Lord Krishna knew he had not done so. He meditated and perceived the truth with divine vision – the blind sage to whom Draupadi had once given a piece of her saree was no ordinary sage but some Supreme Power.
Krishna reminded Draupadi of the earlier incident when she saved the honour of a blind sage and, in turn, received His blessing and commitment. Draupadi, astonished realising that it was God Kabir who saved her, exclaimed:
Ek leer ke karne mere ho gaye cheer apaar||
Jo mein pehle jaanti to sarvas deti vaar||
Meaning: If I had known that the blind sage was the Supreme God, I would have offered everything to Him. I gave only a small piece of my saree, and in return, He extended it infinitely and saved my honour.
Let us proceed to further examine Satan Kaal's conspiracy and another scene from the movie Mahabharata.
All 21 universes are ensnared in Kaal's trap and work under his influence, including the demigods. This truth is revealed in the following episode of the Mahabharat.
Barbarik, the grandson of Bheem and son of Ghatotkacha and demon Princess Mauravi (Ahilawati), was a great warrior and an invincible archer. It is said that he could finish the entire Mahabharat war within a single minute, fighting alone. This was possible because he was blessed with three divine, infallible arrows by his revered deity, Lord Shiv, as a result of severe austerities he performed in childhood. Trained in warfare by his mother, Barbarik had also promised her that in war, he would always fight for the losing army. Therefore, he decided to support the Pandavas in the war.
Here, the love-hatred vice (instigated by Kaal) dominated Shri Krishna. He wanted the Pandavas to win. He realised that once Barbarik began fighting from the Pandavas side, the Kauravas would be quickly defeated. Barbarik would then be bound by his vow to his mother and switch sides, endangering the Pandavas. To prevent this, Krishna devised a trick.
He decided to test Barbarik, asking him to pierce every leaf of a tree nearby. However, Krishna secretly plucked one leaf of that tree and hid it under his feet. Barbarika set the target with his divine, infallible arrows and struck every leaf on the tree. Then his arrow began circling Krishna’s foot to target the leaf hidden beneath his foot.
Astonished at his invincibility, Krishna asked Barbarika head in charity. Without hesitation, Barbarik agreed, requesting only that he be allowed to witness the entire battle. Shri Krishna agreed and Barbarik (khatu Shyam) offered his head, which was placed atop a hill to observe the war.
This episode was plotted by Kaal and implemented in Dwapar Yuga through Shri Krishna. Thus Barbarik, who was eager to fight, became a victim of Krishna’s strategy to ensure the Pandavas victory. This proves how the vice of love and hatred influenced Lord Krishna, compelling him to resort to deceit and trickery with Barbarika. This is a reflection of the huge trap of deceit laid down by Kaal.
In Gita 3:34, Kaal Brahm says that love and hatred are present in everyone in a hidden form. One should not come under their control, as both are great enemies that obstruct the soul.
The severed head of Barbarika was placed on a nearby hill from where he saw the entire Mahabharata war. Later, he declared that the Pandavas' victory was solely due to Shri Krishna. Pleased with his dedication, Krishna granted him a boon and declared that he would be worshipped in Kaliyuga as Khatu Shyam.
Important note: This is a huge trap of Kaal, which needs to be understood thoroughly by readers. Kaal creates demi-Gods to keep naive devotees engaged in wrong worship, which provides no spiritual benefit to devotees and is, hence, useless. Such demigods too remain trapped in Kaal’s web and never attain liberation. Similarly, their devotees, bound to them, also fail to attain salvation.
Alongside Barbarik, Sanjay, King Dhritarashtra's advisor and charioteer, also witnessed the entire Mahabharata war through the divine sight granted to him by Shri Ved Vyas. It enabled him to narrate the events of the Mahabharat to Dhritarashtra.
Shri Kakbhushundi also beheld the entire Mahabharat war.
Brahm Kaal is cursed to consume the grime of one lakh subtle human bodies daily and to produce one lakh twenty-five thousand humans every day. All soldiers slain in the Mahabharata war became his food.
On the battlefield, Arjuna grew despondent upon seeing his relatives and friends on the opposite side, refusing to fight (evidence: Gita 2:9). He was grieving while standing in the middle of both armies. At that moment, Brahm Kaal entered Krishna’s body like a spirit and began urging Arjun to abandon his weakness of heart, stand up to fight and not act like a coward (evidence: Gita 2:2-12).
When Arjun requested to see his true identity (evidence: Gita 11:1- 4,31), Brahm Kaal granted him divine vision, revealing his actual form (evidence: Gita 11:5-8). The description of this terrifying manifestation is recorded in Gita 11:9-30, narrating that Kaal possesses several eyes, mouths, stomachs, and hands holding weapons. Kaal's body was highly radiant as though a thousand suns and moons had risen all at once in the sky. All sages, saints, human beings, and even gods were seen entering into his mouth. He was devouring all realms, including Brahma Lok, Vishnu Lok and Shiv Lok.
Kaal showed his ghastly form (virat roop), which horrified Arjun (evidence: Gita 11:23-24) as he saw Kaal eating human beings (evidence Gita 11:32). Arjun trembled as Kaal introduced himself: ‘I am the enlarged Kaal, the destroyer of the worlds. I have appeared now to eat everyone. All the warriors of the opposite army will not survive, even if you do not fight. All of them will be destroyed. You (Arjuna/ Savyasachin) are merely an instrument used to destroy them (evidence: Gita 11:33).
Shaken by the gigantic form, Arjun realised that he was no longer speaking with his brother-in-law Shri Krishna, but with a terrifying entity beyond him.
Trembling, Arjun pleaded with Kaal to withdraw his ghastly form and instead reveal only his Chaturbhuj (four-armed Vishnu) form (Gita 11:45). Arjun refers to Kaal as ‘sahasrbaaho’ (thousand-armed) and requests him, in Gita 11:46, that he kindly appear in that Chaturbhuj (four-armed) form.
Kaal complied, assuring Arjuna: ‘Arjun! Being pleased with you, I have shown you my boundless, effulgent Virat form with the power of my Yog, which no one else other than you has ever seen before. In this world, I can never be seen with the study of the Vedas or any charity or severe penance’. (evidence: Gita 11:47-48).
Kaal withdrew his Virat form and showed his Chaturbhuj form to console the frightened Arjun (evidence: Gita 11:50).
Kaal says, ‘Even Gods long to see this rare Chaturbhuj form of mine, which you have seen’. (evidence: Gita 11:52-53)
Point to Ponder:
These discrepancies in the movie Mahabharat have never been spotted by anyone other than Jagatguru Tatvdarshi Sant Rampal Ji Maharaj, Who has done a great favour to humanity by unearthing these facts.
All evidence points to two different virat forms shown by two separate entities – one shown by Satan Kaal during the Mahabharat war, and the other shown by Shri Krishna in the assembly of the Kauravas before the war began.
The destruction at Kurukshetra and the devouring of slain soldiers were the deeds of Brahm Kaal himself.
Abhimanyu, the young valiant warrior, was the son of Arjun and Subhadra, a Yadav princess and the sister of Shri Krishna. Abhimanyu knew the technique to enter the Chakravyuha, a formidable military formation resembling a labyrinth of many defensive barriers.
However, Abhimanyu's knowledge was incomplete as he did not know how to exit the Chakravyuha. As a result, he was trapped and killed by the Kauravas, meeting a terrible end. This truth is well known to everyone.
What we wish to highlight through this episode about Satogun Lord Vishnu, in the role of Shri Krishna, is:-
The horrific death of Abhimanyu shattered the Pandavas. They mourned and pleaded with Shri Krishna, ‘Lord! Please bring our son back to life. You are the supreme, all-capable Lord’.
But Shri Krishna Ji could not revive Abhimanyu because he is not supreme. His powers are limited. He can only grant what is destined. If happiness lies in someone's destiny, he can grant happiness; if sorrow lies in it, he can grant only sorrow. Lord Vishnu cannot alter the fate written by one's deeds. Therefore, Lord Krishna could not revive Abhimanyu as his life breath had already departed. Krishna cannot avert death.
Note: Almighty Kabir alone has the power to change one's destiny and extend life. Only He can revive the dead.
(Evidence: Rigved Mandal 10 Sukt 161 Mantra 2 and Sam Ved Mantra 822 Samved Utarchik Adhyay 3 Khand 5 Shlok 8)
The Mahabharat war brought vast destruction. Kaal is extremely cruel. He plotted a dreadful script that left countless women widowed and their children orphaned. Eighteen crore soldiers were slain in this massacre.
All hundred and one Kauravas, including Duryodhan and Dushsan were killed. The following nectar speech from Sukshma Ved confirms this:
Duryodhan se Raja hote, sang ekottar bhai। Gyarah akshoni sang chale thee, dehi godh na khayee||
After the war, Yudhishthir was crowned the King of Indraprasth. Soon he was haunted by nightmares where he could see visions of beheaded soldiers roaming around and screaming, widows wailing and breaking their bangles, and children screaming and crying out for their father. Yudhishthir could not sleep through the night.
Seeing his plight, Draupadi shared his miserable condition with his four Pandav brothers. When Bheem, Arjuna, Nakul and Sahadev asked him directly, Yudhishthir narrated everything to them.
The Pandavas then sought guidance from their guru, Shri Krishna. Krishna explained Yudhishthir was facing the consequences of sins incurred during the Mahabharat war. Hence, he advised that in order to find relief, a religious sacrifice and grand feast should be organised in which all gods, gandharvas, sages, great sages, saints, Brahmans, and all their relatives should be invited.
Arjun was greatly astonished on hearing this. While imparting the knowledge of Gita (in reality, Kaal Brahm speaking through Shri Krishna), he had been persuaded by Shri Krishna to fight fearlessly with the assurance that performing his religious duty as a Kshatriya would not incur sin as no other duty is considered more auspicious than a religious battle (evidence: Gita 2:31, 2:37‐38).
Krishna assured him that he held laddoos in both his hands, implying: if he dies, the door of heaven is open for him, and if he wins, he will relish the kingdom on earth (evidence: Gita 2:37). But now the same Krishna was advising a Yagya to nullify sins. However, Arjun remained silent, not wanting to hurt Yudhishthir by questioning him.
Finally, a huge bhandara was organised. A five-faced conch (Panch mukhi or Panchanan) was placed on a high throne. The success of the completion of the religious sacrifice was to be confirmed if the conch shell resounded to infinity, reaching even Heaven.
All spiritual luminaries of that era attended this grand feast – 33 koti gods of Heaven, 88,000 sages, 12 crore Brahmans, 9 Naths, 84 perfect men and 56 crore Yadavas, including Lord Krishna himself. Even Brahma, Vishnu and Shiv partook in the feast. Yet the conch shell did not sound because all were engrossed in Kaal's incorrect way of worship. None of them was the true worshipper of the Supreme God Kabir, and were practising ways of worship against the directions of our holy scriptures. Yudhishthir was disheartened with the immediate failure of this religious sacrifice.
Supreme God Kabir had incarnated as Sage Karunamay in the Dwapar Yuga. He had a steadfast devotee named Sudarshan who belonged to the Supach (low) caste. God Kabir disguised himself as Sudarshan and inspired Shri Krishna, who, through his divine vision, realised that a great saintly power named Supach Sudarshan had not attended the religious sacrifice.
Before the great religious sacrifice (yagya) was organised, Bheem had been entrusted with the duty of inviting everyone to the ceremony. Although Bheem went to invite Supach Sudarshan (God Kabir in disguise), he spoke rudely to Him, treating the Divine as though He were an ordinary sage. When Shri Krishna asked Bheem, he recounted the entire incident. Krishna then went with the five Pandavas to invite Supach Sudarshan personally. On their humble request, God Kabir finally agreed and came to partake of the food.
Draupadi had prepared a delicious meal for the great saintly power. However, while serving, she harboured a defect in her mind because God Kabir appeared in the humble guise of a Supach in this divine play, wearing ordinary clothes. As a result, the conch shell did not sound continuously even after God Kabir had eaten. Only after Shri Krishna made Draupadi realise her mistake, apologise and drink the nectar water (amrit jal) after washing the feet of God Kabir, did the conch shell resound so loudly that it was heard even in Heaven. (Evidence: Sukshma Veda, Parakh ke Ang, speech 42-47, 63-66, 1197-1202)
This episode also finds a mention in the Sukshma Veda:
Garib, Pando Yagya Ashwamegh mein valmiki ki dehe||
Shankh panchayan bajiya rakhya nahi sandeh||
Garib, Supach roop dhar aayeya Satguru Purush Kabir||
Teen lok ki medni, Jahan surnar munijan bheed||
In this way, God Kabir blessed Pandavas, and Yudhishthir got relief from nightmares solely through the grace of the Supreme God Kabir.
Important: The knowledge-giver of the Gita, Brahm Kaal, instructs Arjuna in Gita 18:62 to take refuge in the same Supreme God in every way, to attain eternal peace and the ultimate Sanatan abode. Supreme God Kabir is the destroyer of sins (evidence: Yajur Veda 8:13) and the bestower of complete salvation.
[Reference: Sankshipt (concise) Mahabharat, pages 667 and 1531 of the old edition (Mahabharat, Aashrv 1612-13)]
Na shakyaM tanmya bhooyasttha vaktumsheshatH II
ParM hi Brahm kathitM yogyukten tanmya ||
It is a known fact that after the war, Yudhishthir was enthroned as the king. In due course, Shri Krishna decided to return to Dwarka. At that time, Arjuna approached Krishna with a heartfelt request of repeating the same knowledge of the Gita he had imparted during the Mahabharat war, reasoning he was unable to recollect it as his mind was agitated and disturbed during the war.
Shri Krishna replies, ‘Oh Arjun! You are very devotionless. Your memory is not good. Why did you forget such sacred knowledge?’. Krishna further stresses, ‘At present, I cannot repeat it in its entirety. Back then, I spoke those words while being connected with the Divine (yog-yukt)’.
The striking point here is - if Shri Krishna could become yog-yukt at the time of war, what prevented him from doing so again in a completely peaceful time? Moreover, how can one forget knowledge that originates from oneself? If the knowledge of Gita really came from Shri Krishna, why would he confess his inability to recall and repeat it fully?
This episode clearly proves that the knowledge of the Gita was not Shri Krishna’s own. It was delivered through him by another entity - Brahm Kaal, who operates like a spirit to fulfill his sinister motives. Krishna himself admitted that he had spoken it while being connected to another higher force.
This proves that the true speaker or orator of the Gita was Brahm Kaal, not Shri Krishna.
Due to the curse of sage Durvasa, the entire Yadav clan (56 crore Yadavas) was destroyed. Shri Krishna was later shot in the foot with a poisonous arrow by a hunter named Baliya unintentionally. This hunter was the same soul as Bali, the elder brother of Sugreev in Tretayuga, whom Shri Ram (an incarnation of Lord Vishnu) had killed deceitfully from behind a tree. This was a ‘tit for tat’ act, as Shri Krishna himself confessed to Baliya. This episode too was plotted by Kaal.
In the final moments of his life, Shri Krishna, the spiritual guru of the Pandavas (evidence: Gita 2:7), instructed them to renounce their kingdom and go to the Himalayas to meditate and sacrifice their bodies in the harsh snow by practicing severe penance to atone for the sins they incurred during the Mahabharat war. He also directed Arjuna to take all the women of Dwarka to Indraprasth, to protect them from the attacks of the Bheels (tribals).
Upon hearing Krishna’s directives for them, Arjun could not control his emotions and questioned Shri Krishna, ‘You persuaded me to fight on the battlefield, saying you would not incur sin. If you die, you will go to heaven, and if you win the war, you will enjoy the happiness of the kingdom (evidence: Gita 2:37-38). Now, you ask us to abandon the kingdom and perform penance in the Himalayas to erase our sins added to our account after the war. Neither have we attained Heaven, nor are we able to enjoy the Kingdom as you are asking us to abandon it. On your advice, we even performed the Ashwamegha Yagya’. With tears in his eyes, Arjuna further questioned, ‘What interest did you have in deceiving us?’.
Shri Krishna replied, ‘I will tell you the truth. There is some other villainous power that keeps controlling us like machines, like puppets. Even I do not know what I said in the Gita’. With these as his last words, Shri Krishna passed away.
https://youtu.be/MwDSaJDrGrU?si=pRSdnUwgo_okEPhG
The truth of this confession by Shri Krishna again proves that the knowledge-giver of the Gita was not Shri Krishna, but Kaal. The Pandavas performed the last rites of Shri Krishna. Except Arjuna, the other Pandavas returned to Indraprasth.
After Shri Krishna’s death, Arjun took all the women of Dwarka towards Indraprasth. On the way, they were attacked by the Bheels, who overpowered and beat Arjuna, abducted the women and looted their precious jewellery. To his shock, Arjun could not do anything and found himself powerless. He was still carrying the same ‘Gandeev’ (name of Arjuna’s bow) and arrows with which he had once massacred countless warriors on the battlefield of Kurukshetra. However, this time, he could not even lift the same Gandeev. Helpless and weeping, he lamented, ‘Shri Krishna was a liar and a deceitful person. He granted me power and made me kill so many. I incurred a lot of sins. I used to knock down hundreds with just one arrow. Today, I have lost that power’.
The Sukshma Ved describes this episode as follows:
Pratham Arjun ko bal deenha। Peeche Sab bal har leena।।
Krishna ne jab tyagi dehi। Bheel Baliya badla lehi।।
Arjun jab gopiyan livaye। Aage khade Bheel bahu paye||
Bheelon ghera Arjun ka deenha। Mara pita gopiyan leenha।।
Gandeev liye Arjun rove। Chala nahi Dhanush Karan tohe।।
Krishna kun Arjun kosai। Krishna chhaliya ke mare bharose ।।
Mahabharat me jab naash karwaya। Gandeev Dhanush se sab Maar giraya।।
Aaj veh Gandeev haath na uthya। Bheelon ne jab jee bharkar kootya।।
Ramchandra ne Bali mara। Vraksh ote le kahe kartara।।
Sab bhool ho bina viveka। Hum Ram Krishna Marte dekha।।
Important: The Sukshma Ved alone reveals the truth. Shri Krishna was not a liar or a deceitful person. Rather, the mastermind behind all human suffering is the devil Kaal. All living creatures are merely his puppets, including gods. He is the root cause of all suffering in the dominion of 21-universes. Unless the soul takes refuge in an enlightened saint (evidence: Gita 15:1-4,16-17) and worships Param Akshar Brahm God Kabir, Kaal continues to revengefully torment the beloved souls of Almighty Kabir. But Satan Kaal is powerless before the supreme authority of God Kabir, Who protects His true devotees.
Thereafter, the Pandavas renounced their kingdom, entrusted its rule to Parikshit (son of Abhimanyu), and went to the Himalayas to perform austerity as directed by Lord Krishna.
Draupadi, Kunti and all the five Pandavas went to the Himalayas and performed severe austerities. Due to the scarcity of food and intense cold, soon their bodies perished one by one. Only Yudhishthir remained alive. His body resisted the harsh snow with just one of his toes dissolving in it. At that point, Yudhishthir renounced his mortal body and reached the realm of Dharmraj, his divine father.
In Dharmraj’s abode, Yudhishthir was soon overcome with attachment and longing for his mother, brothers and wife. This sudden remembrance of attachment was inspired by Kaal as he controls the mind of all living beings. Yudhishthir pleaded with Dharmraj to allow him to meet with his family. Dharmraj disclosed, ‘They were not your true family. You are my son. You all descended on Earth to perform a task for a specific duration, and the task has now ended. The others are suffering in hell’.
Note: The austerities (also known as hatha yoga or forced meditation) performed by the Padavas led them to attain Hell. Such arbitrary spiritual practices are forbidden in the Gita (16:23). The worship done against the injunctions of holy scriptures does not provide any benefit to seekers, instead it leads to suffering.
Dharamraj further explained, ‘Yudhishthir, since your virtues are more, therefore, you are not sent to Hell’. However, Yudhishthir persisted in meeting his family. Dharamraj then sent him along with a Yamdoot (messenger of death) to witness the condition of his family. Yudhishthir was horrified to see Draupadi, Kunti and his brother tormented in hell, screaming in pain. Seeing their miserable condition, he said, ‘Put me also into Hell along with my family’
Dharamraj called Yudhishthir back and reminded him, ‘During the war, you had intentionally lied ‘Ashvatthama is dead’ without clarifying it was an elephant and not Guru Dronacharya’s son. Despite knowing the truth, you deceived Dronacharya. For this sin, you have spent a short time in Hell now. Now, I will tell you a way through which I can relieve those family members and take them out of hell. You may pledge some of your virtues (good karma) to them. In return, they will be released from hell’.
Yudhishthir agreed and pledged some virtues to be shared among all the six members. Once they came out and stood in front of Dharamraj, their true origins were revealed. At that moment, various deities appeared to reclaim their offspring:
Only Yudhishthir was left alone with his father, Dharamraj.
Note: After completing their tenure in heaven, all these souls will return to the cycle of suffering, experiencing hell and 84 lakh life forms once more. This is an unbreakable trap of Kaal within his kingdom of 21 universes. Here the ‘movie’ Mahabharat came to its conclusion - a vast and dangerous web of Kaal, which only the Supreme God Kabir has revealed.
Saint Garib Das Ji Maharaj’s nectar speech from the Sukshma Ved illustrates the participants of the Mahabharat war:
Sooraj bansi panchon Pando। Kaal meech sir devai dando|| 178
Dharm Yudhishthir dhare dhiyana। Arjun lukh sanghani bana। 179
Sahadev Bheem Nakul aur kaunta। Draupadi jung ka deena nyota। 180
Haath khappar aru mustak binda। Tharah khuhani melai dunda। 181
Devi Shiv Shiv kare singhare। Khadag baan chakron se mare। 182
Chaunsath jogni bawan beera। Bhakshad badan kare tadvira । 183
Asur katak ghoomar udd jayee। Sooron raksha karein gosain। 184
Pachrang jhande lumb lehariya। Dakhan ke dal utar utariya। 185
Pachrang jhande lumb chalaye। Dakkhan ke dal uttar dhaye। 186
Mohre Hanumant Gorakh bala। Hari ke hait harole hamala। 187
Chinhdole Chunak Durvasa deva। Asur Nikandan boodat kheva। 188
Almighty Kabir protects His souls, regardless of their life-form. An episode mentioned in the Puranas and certified in the Sukshma Ved narrates that during the Mahabharat war, God Kabir protected the eggs of a Tatiri bird when she called upon His help from the bottom of her heart. This protection was granted to Tatiri due to her devotion to God Kabir in her previous human birth. That soul had taken refuge in God Kabir and performed true devotion in her previous human birth, but had slipped under the influence of Kaal and could not achieve liberation.
During the war, a giant bell weighing 88,000 quintals, belonging to the elephant of the King of Heaven, fell from above and landed over the eggs of Tatiri. The whole Mahabharat war was fought and despite the massive destruction with fire arrows, slaughter, and the death of eighteen crore soldiers, the eggs of the Tatiri bird remained completely unharmed. The miraculous ways in which God Kabir protects His souls is beyond human intelligence and reasoning, but is extremely well documented in our sacred scriptures. The real question here is - why have we remained oblivious to the identity of the real Supreme God thus far?
The Mahabharat war took place largely due to a property dispute between two families of the same clan. The Sukshma Ved reiterates this:
Maandi baji khele jua, roti hi par kairo pando muva||
Thus, the conflict was both political and familial. More importantly, the battle was a carefully-planned drama orchestrated by the devil Kaal to fulfil his crooked motives of keeping all souls trapped in his vicious kingdom by engrossing them in worship against our sacred scriptures.
The episodes described in this article reveal another crucial truth: Supreme God Kabir is the destroyer of sins. He alone can avert destiny and protect His children from the clutches of the devil Kaal. This truth is further exemplified in the disrobing incident of Draupadi, where God Kabir increased her saree to preserve her honour because she was a pious soul who had previously taken refuge in God Kabir and had performed true devotion to Him.
Similarly, God Kabir continues to protect and provide happiness to all His beloved souls trapped in Kaal’s web. Today, He has incarnated on Earth in the holy land of Haryana, India, as the respected Jagatguru Tatvdarshi Sant Rampal Ji Maharaj, performing a divine spectacle. This is the reason why Sant Rampal Ji Maharaj alone holds the key to all scriptures and spiritual mysteries because only the Ultimate Creator can know the complete truth of all worlds. He preaches true spiritual knowledge and grants authentic mantras for complete salvation. By chanting these mantras and following all His guidelines of worship alone, one can be freed from the torture of Brahm Kaal and attain the blissful abode where the divine Kavir Dev Himself resides - Satlok, the eternal ultimate abode.
Even the director of the Mahabharat movie, Kaal, describes Supreme God Kabir as the ultimate refuge (evidence: Gita 18:62), affirming that the same God Kabir (Purna Brahm) is his ‘Isht’ Dev (venerated God) (evidence: Gita 18:64).
The Mahabharat exposes the dark trap of Kaal, but it also illuminates the singular way out - complete surrender at the feet of Jagatguru Tatvdarshi Sant Rampal Ji Maharaj. The only respite for humanity is recognising this Avatar of God Kabir and following the path of worship directed by Him to attain complete salvation.